The exhibition is the brainchild of Aldo Audisio, following the "rediscovery" of about twenty prints acquired by the Museum to complete the fund for the "Presenze" exhibition, 1997, of which it is an ideal continuation. These are subjects taken from the Valle di Susa and Valle d'Aosta, between the 1930s and the 1950s, characterized by the objective and rarefied cut dear to Moncalvo. The exhibition includes some of the most iconic subjects exhibited in the 1997 exhibition. Sim